There is only a perspectival seeing, only a perspectival ‘knowing’; and the more affects we allow to speak about a matter, the more eyes, different eyes, we know how to bring to bear on one and the same matter, that much more complete will our ‘concept’ of this matter, our ‘objectivity’ be.
Thus wrote Friedrich Nietzsche, and we at the Gotham Philosophical Society agree. We believe that to make sense of something, we need to see it from as many sides as possible.
That is why we are launching a new discussion series with the aim of contributing to the pursuit of New York’s objectivity. We will be taking on all manner of ideas, issues, and topics of significance to New Yorkers, and approaching them from legal, artistic, and philosophical perspectives. We believe that a philosophical understanding cut-off from our legal reality is irrelevant, and that laws uninspired by our poetic imagination are without soul.
So please join us as we kick-off this series with a look at the concept of truth, the concept that is central to human discourse. What is truth? How can we know it? And what can it mean to say, as so many have, that we are now living in a ‘post-truth’ world? We’ll ask these questions and more, Monday, December 4, 2017, at Le Chélie NYC at 8pm.
It has been said that there are not different types or categories of music, only good music and bad music. How can we know the difference between good and bad music however? Well, on some accounts, there are indeed different types (‘low’ vs ‘high’ art), some of which are by definition bad, others good. Yet, on other accounts, music is music – there are no essential differences in kind, and it is simply each listener’s favorable or unfavorable reaction to any given song or piece of music that decides its quality. In very broad strokes, these two contrasting orientations represent attitudes common in modernist and postmodernist theories, respectively. In the former, Western classical music was privileged (unjustly, in some respects) above all other kinds. However, the latter orientation, which is currently in fashion, seems to reduce all musical meaning and appraisal to little more than our own mental projections. In this presentation, a third, alternative way to identify musical types is proposed, one that seeks to illuminate meaningful musical distinctions in the natures and functions of three musical kinds (folk, mass, and art music), with some surprising results. A brief piano performance will precede the talk.
Monday, December 11, 2017 at 6pm. This event is part of the Philosophy Series at The Cornelia Street Café, located at 29 Cornelia Street, New York, NY 10014 (near Sixth Avenue and West 4th St.). Admission is $10, which includes the price of one drink. Reservations are recommended (212. 989.9319)
Jason Cutmore is a concert pianist, teacher, and the founder and director of the Canadian music festival, Alberta Pianofest. He has performed solo piano and collaborative recitals across much of North America, Europe, and India, and has published articles in peer review journals and trade magazines. Mr Cutmore lives in New York City, and is currently completing a Master’s degree in Philosophy at the CUNY Graduate Center.